FeatureGems & Gemology, Summer 2022, Vol. 58, No. 2

A Gemological and Spectroscopic Study with Mobile Instruments of “Emeralds” from the Coronation Crown of Napoleon III

Stefanos Karampelas, Eloïse Gaillou, Annabelle Herreweghe, Farida Maouche, Ugo Hennebois, Sophie Leblan, Bérengère Meslin Sainte Beuve, Michel Lechartier, Didier Nectoux, Aurélien Delaunay

ABSTRACT

 

Forty-five “emeralds,” formerly set in the coronation crown of Napoleon III, were studied using nondestructive mobile spectroscopic and gemological means. Adorned with emeralds, diamonds, and gold, the crown was created in 1855 by royal jeweler Alexandre Gabriel Lemonnier but dismantled in 1887 for the auctioning of the French crown jewels. Some of the emeralds were donated to the École des Mines (Paris School of Mines, now known as Mines Paris - PSL) in 1887, prior to the auction. Our examination revealed that 41 out of 45 gems were indeed natural emeralds, presenting no evidence of clarity enhancement. Their gemological characteristics and age suggest a Colombian provenance. The other four samples were determined to be artificial glass containing iron and/or copper and possibly other chromophores. These glass imitations could have been set when the crown was created or shortly thereafter. This study is part of an effort to examine gemstones of historical meaning and significance worldwide.

The collection of the French crown jewels was established on June 15, 1530, by Francis I and enriched by later kings and emperors, such as Henry II, Henry IV, Louis XIV, Napoleon I, Louis XVIII, and Napoleon III. This important collection of loose gemstones and high-end jewelry included many significant gems: the Regent, Grand Sancy, and French Blue (later Hope) diamonds; the Grand Sapphire; and the Côte de Bretagne red spinel (see Bapst, 1889 and Morel, 1988 for details on the collection and its history). It is worth mentioning that most of the jewels were kept as individual stones and used in custom settings designed for each new sovereign, and then dismantled again when a successor came to power.

After the end of the French Empire, the crown jewels were exhibited twice in Paris, in 1878 at the Exposition Universelle (World’s Fair) and in 1884 in the State Room at the Louvre. Both exhibitions were heavily guarded and attracted large crowds of admirers. However, the popularity of the two events did not prevent the unprecedented sale of this national treasure.

During the French Third Republic, most of the crown jewels were dismantled and sold at an auction at the Louvre, held May 12–23, 1887. The auction was intended to get rid of these symbols of royalty and empire. Some unset gems, however, were put aside and given to various French museums, including the French Natural History Museum, the Louvre, and the École des Mines, all in Paris. On February 8, 1887, the École des Mines received two small diamonds, 915 pearls, 96 Colombian emeralds, 177 Siberian amethysts, and 59 Brazilian pink topazes (figure 1). For additional historical background on the French crown jewels, see Morel (1988).

Since the late twentieth century, the Louvre has bought back a few pieces of jewelry, which are on exhibit at the Apollo Gallery and in the Apartments of Napoleon III. The National Museum of Natural History in Paris displays its loose gems from the French crown jewels as part of the “Earth’s Treasures” exhibit. Most of the other gems and jewels are still in private collections, though a few have found their way into museums, including the Napoleon diamond necklace (Gaillou and Post, 2007) and the Hope diamond (Patch, 1976; Balfour, 1987; Post and Farges, 2014) at the Smithsonian Institution in Washington, DC.

This article presents the results of research conducted on emeralds formerly mounted in Napoleon III’s coronation crown. It follows previous scientific articles dedicated to the study of historic gems in museums worldwide (e.g., Bosshart, 1989; Kane et al., 1990; Fritsch et al., 2007; Gaillou and Post, 2007; Gaillou et al., 2010, 2012, 2022; Galopim de Carvalho, 2014; Post and Farges, 2014; Farges et al., 2015). These gems from the crown were kept in the vault of the museum of the École des Mines in Paris until 2016, when the museum opened an exhibition of gems from the French crown jewels. The present paper is part of an ongoing project on the study of the gems previously adorning historic jewels, led by the French Gemmological Laboratory (LFG) and the Museum of Mineralogy, Mines Paris - PSL, which owns the gems.

The crown (figure 2, left) was created in 1855 by royal jeweler Alexandre-Gabriel Lemonnier and presented at the “Exposition Universelle” in Paris the same year. Lemonnier’s very similar crown for Empress Eugénie is shown in figure 2 (right). Napoleon III’s crown was adorned at the bottom part with eight large emeralds ranging from 14.5 to 23.7 ct (with a total weight of more than 150 carats) as well as eight large diamonds weighing 17.00 to 26.33 ct that were previously mounted in another royal crown. These diamonds included the 19.07 ct Grand Mazarin, the 19.22 ct De Guise, and the 25.53 ct Fleur-de-Pêcher. Fifty smaller “emeralds” were also incorporated: 34 rectangular step-cut stones forming an equator around the globe atop the crown (and topped with a diamond cross) with a total weight of 10.03 carats, and 16 round and oval brilliant-cut stones circling the midsection, with a total weight of 17.26 carats. Morel (1988, p. 338) notes that shortly after the crown’s creation, the eight large diamonds were removed and later used in other jewels of Empress Eugénie, replaced by “strass” (artificial glass, possibly containing lead) imitations. Morel also noted that the emeralds were left set in the crown.

Five years after the fall of the empire, the eight large emeralds were restituted to Empress Eugénie on October 5, 1875. In 1887, Napoleon III’s crown was melted down and the stones were separated into different suites. During the auction of the French crown jewels in May 1887, the eight large diamonds were sold to the highest bidder (the diamond cross was sold to the jeweler Boucheron earlier that year). The 50 smaller “emeralds” were part of the donation to the École des Mines. Today, 33 of the 34 gems from the upper part of the crown as well as 12 of the 16 gems from the midsection are cataloged in the Museum’s collection, and these are presented below.

MATERIALS AND METHODS

Examined here are the 45 green stones, reportedly emeralds, that were donated during the Third Republic’s historical deposit of 1887 into the collection of the École des Mines (formally the École Normale Supérieure des Mines de Paris, or ENSMP), now called Mines Paris - PSL. The catalog numbers of the school’s mineral, gem, meteorite, and rock collection still bear the initials “ENSMP,” all entered under a single catalog number: all entered under a single old catalog number: M. 4849.

This study investigates some of the 96 emeralds that were part of this original donation; the 46 emerald beads are excluded. We only focus on the gems mentioned as “16 emeralds of 16.79 carats” and “34 emeralds of 10.03 carats” in total weight (see again figure 1), as these can be traced back to the coronation crown of Napoleon III. Among the 50 emeralds donated in 1887, 45 of them are still in the museum’s collection, the curators having no record of the remaining five.

As the ENSMP collection has evolved over the 135 years since the gems from the crown jewels arrived, the donation that was deposited under a single reference number was dispatched into several catalog numbers. The 50 emeralds from Napoleon III’s crown were divided into three series. The first series consists of the previously mentioned 34 emeralds from the top part of the crown, under the name ENSMP 69880, 33 of which are still in the collection (figure 3 and table 1; note that sample ENSMP 69880_5 is missing). The second series of 16 emeralds from the midsection of the crown was split into at least two catalog numbers—four stones under ENSMP 69881 and eight under ENSMP 69866 (figure 4 and table 1)—while the last four remain missing. The reason for splitting this second series is not clear, but as we will see later, series ENSMP 69881 has characteristics unlike the others.

As the set of 45 samples is considered a national treasure, the project had to be conducted on-site at the Museum of Mineralogy, Mines Paris - PSL. Because of this constraint, the samples were studied using LFG’s mobile spectrometers as well as classical gemological tools. The samples and their dimensions are listed in table 1. All samples were examined with classic gemological tools. Observation was performed using a Zeiss Stemi 508 binocular microscope (magnification up to 80×) equipped with a fiber-optic light source and an incorporated camera to acquire photos all mounted on an Eickhorst Gemmaster base. Luminescence was examined using a 6-watt ultraviolet lamp (Vilber Lourmat VL-6.LC) with long-wave UV (365 nm) and short-wave UV (254 nm) light, equipped with a CN-6 darkroom (10 cm distance between the sample and the lamp). Refractive indexes were taken with a refractometer and mass and density with a hydrostatic balance.

Raman and photoluminescence (PL) spectra were obtained using a mobile Raman spectrometer (Magilabs GemmoRaman-532SG) with a 532 nm laser excitation and spectral resolution of 11 cm–1, ranging for Raman spectra from 200 to 2000 cm–1 (with 1 second exposure time and 4 accumulations) and for PL spectra from 540 to 760 nm (0.3 to 0.4 second exposure time and 30 accumulations). All spectra were acquired with the laser pointing at the table, the flattest part of the stone. Calibration of the Raman spectrometer was made with a diamond, using its 1331.8 cm–1 Raman line. Due to this study requiring the use of a mobile instrument, the spectral resolution was over 10 cm–1. This precluded us from reaching a conclusion regarding the alkali content, which would have required the use of the exact position and full width at half maximum of the band at 1070 cm–1 to differentiate emeralds containing either low or high concentrations of alkali elements (Huong et al., 2014; Bersani et al., 2014; Jehlička et al., 2017; Karampelas et al., 2019). Indeed, in order to obtain the real shape of this band, relatively high spectral resolution (<2 cm–1) must be used in the acquisition of the Raman spectra. Moreover, the spectral resolution of the instrument could also affect the exact position of the PL bands. For example, if the spectral resolution is not optimal, the real shape of the band is not obtained and it appears broader and in slightly shifted positions. The suggestion that the exact position of the Cr3+ R1 line can give information regarding an emerald’s country of origin (Moroz et al., 2000; Thomson et al., 2014) should be considered with caution. Visible/near-infrared (Vis-NIR) spectra were acquired from 365 to 1000 nm using a mobile instrument (0.05 to 0.10 seconds acquisition time and 50 accumulations) with an integrating sphere (Magilabs Gemmosphere). Fourier-transform infrared (FTIR) spectra were obtained with a mobile instrument (Bruker Alpha II) in the 400 to 8000 cm–1 range (4 cm–1 spectral resolution and 100 scans) using a DRIFT accessory as a beam condenser (Hainschwang et al., 2006).

Dr. Karampelas (s.karampelas@lfg.paris) is chief gemologist, Mrs. Herreweghe, Mr. Hennebois, Mrs. Leblan, and Mrs. Meslin Sainte Beuve are gemologists, and Mr. Delaunay is director, at the Laboratoire Français de Gemmologie (LFG) in Paris. Dr. Gaillou (eloise.gaillou@minesparis.psl.eu) is curatrix, Mrs. Maouche is exhibit specialist, Mr. Lechartier is technician, and Dr. Nectoux is curator and director, of the Museum of Mineralogy, Mines Paris - PSL.